Schaumburg, IL - Prairie Center
Home PrairieCenter MenuMaggie Atcher Theatre
The Maggie Atcher Theatre was named after the wife of Schaumburg's first elected mayor, country singer Bob Atcher. Maggie insisted that the arts were essential to the community, and the Prairie Center is her legacy.
With 442 seats and a 35' proscenium stage, the theatre can accommodate all types of events. The stage is 28' deep, and has a seven foot apron.
Rental Usage of the theatre includes the following:
Use of the Maggie Atcher Theatre (MAT) and the main “inner” theatre lobby, backstage area, upstage crossover hall (may be non-exclusive), 2 stage-level dressing rooms, loading dock & scene shop for load-in / load-out, and up to 24’ of table space in the main lobby (up to 4x 6’ or 3x 8’),
THEATRE SPECS
The theatre has 442 seats with accommodations for 3 wheel chairs. 13 seats are removable to accommodate an additional 8 wheelchairs if needed. With only 15 rows, sight lines and acoustics are perfect for a variety of events.
**Our Technical Supervisor and/or Lead Tech reserve the right to add or drop techs as necessary
CORE STAFF:
Audio Tech: The audio engineer is responsible for setting up and operating playback systems, microphones (whether performers and musicians or simply an emcee or lecturer), the auditorium loudspeakers, monitoring, etc. Typically, the audio engineer also handles video and projection cues (audio playback and video & image cues utilize Show Cue Systems). Larger scale events, such as musicals with a large number of bodypack mics, or large music acts may require an assistant to the audio engineer during load-in, setup, strike - and possibly as a runner during the event.
Lighting Tech: The lighting engineer is responsible for the operation of the lighting console, along with the focus and maintenance of the instrumentation used during the event. They may act as the Lighting Director (LD) (or at the direction of the visiting LD), programming and executing cues during rehearsals and performances. As with audio, extensive setups or focusing, gel or pattern changes, etc., may require an assistant during load-in, setup, and strike.
Stage Manager: (OPTIONAL: This position is typically supplied by the guest organization as it usually requires an intimate knowledge of the production) The stage manager is responsible for communicating with the audio and lighting operators, calling cues, timing between cues (if necessary), and directing the stagehands as needed. *Unless told differently, we assume guest events supply a qualified and competent stage manager who is familiar with the pace and cues of the production, along with the usage of ClearCom intercommunication units.
SUPPORT STAFF:
All support staff positions assist the core staff in lieu of (or along with) dedicated assistants, depending on the scale of the event.
Building Tech: The building tech is in charge of essential front-of-house (FOH) operations and acts as a liaison to the core staff and the guest organization’s FOH staff. The building tech is responsible for overall building condition and appropriate lighting, ensuring the proper areas are accessible (or locked), ensuring building fire equipment and exits are accessible, table setups, and various custodial duties.
Stagehand Tech: (a.k.a., deckhand) The stagehand is responsible for the stage & backstage areas, ensuring fire exits and equipment remain accessible and unblocked, and acts as a stage-level liaison to the core staff. In lieu of dedicated assistants, the stagehand will assist the lighting and audio engineers with stage-level tasks, such as gel changes or microphone setups & adjustments, locating platforms, etc. The stagehand will also assist the stage manager with curtain & drop movements if needed.
Follow-spot Operator: (OPTIONAL) At the direction of the stage manager, visiting LD, or lighting operator, the follow-spot operator(s) will execute spotlight cues from our (2) grid-mounted follow-spot positions. Before the event, the follow-spot operator may be utilized as an assistant to the lighting engineer, for grid-level focusing, etc.
- Overall width : 78'-8"
- Proscenium width: 34'-8"
- Proscenium height: 19'-0"
- Apron depth: 7’-0"
- Wing space: S.R. 22'-0" ; S.L. 22'-0"
- Plaster line to back wall: 32'-0"
- House floor to stage floor: 3'-0"
Stage Floor: The stage deck is sprung Plyron tempered hardboard, painted black. Sliders or casters are highly recommended. Nails, stage screws and other fastening devices may not be driven into the stage floor!
Main Curtain: Navy blue and travels only; it is manually operated from stage left.
Masking: 22' of open wing space on each side. A full complement of curtains provides masking. Masking includes four sets of legs, three borders, a black traveler and a natural muslin cyclorama. (see drawings for positions, subject to change)
Communications: Two channel ClearCom and additional Eartec wireless headsets.
Company Switch: Dedicated 100 amp three-phase service is located down stage left. Tails are not provided.
Pit Space: The theatre has no orchestra pit, however the first row of seating is 9'-6" from the stage, and this space can accommodate a small ensemble.
PCA Stage Section ViewPCA Stage Plan View
BASIC:
Lectures, meetings, piano recitals, dance shows with pre-recorded music, etc.
- System is controlled from the theatre control booth on our Allen & Heath SQ-5 digital console.
- PC Playback (Show Cue Systems) plus up to 4 additional inputs from our microphone / DI inventory.
- Left, center & right flown house speakers – approximately 3,500 watts total power to the mains (Meyer CQ-2 & UPA), JBL subwoofers house left and right.
- Fixed flown monitors downstage left and right with a single monitor mix are heard clearly onstage without heavy audio leakage into the wing space.
ENSEMBLE:
Duos, jazz ensembles, more complex music recitals, cultural dance events with live musicians, variety shows, etc.
- Mixed from booth. Up to 12 inputs.
- Standard selection of vocal and instrument microphones and DI Boxes (Shure, AKG, Rode, Sennheiser, BeyerDynamic, Whirlwind, etc.).
- 2x stage mixes / wedges (QSC amps, EV T221 wedges).
- (2) 8” or 16” platforms are included if desired.
ENHANCED:
Larger productions where a full concert system might not be required, musicals or variety performances with a large number of body mics, etc.
- Mixed from house on our Allen & Heath d-Live S-7000 system (Giga-ACE and Dante enabled).
- Up to 24 inputs.
- 4x stage mixes / wedges.
- (2) 8” or 16” platforms are included if desired.
CONCERT:
For the full-on performance where a more audio-immersive experience is required, this powerful concert system far exceeds the needs of the space - clean, clear sound with plenty of headroom and a high level of fidelity to the source.
- Mixed from house on our d-Live S-7000 system.
- Meyer MTS-4a loudspeakers on deck, tied to the house system for ambient fill.
- Up to 32 inputs.
- 6x stage mixes / wedges.
- 8’x8’ drum platform (8” or 16”) and additional 4’x8’ soloist / section platform (8” or 16”) are included if desired.
- Up to 4 wireless handheld vocal mics included.
Audio system requests other than the basic system must be made in advance of event date. The Prairie Center for the Arts and its staff reserves the right to determine if an audio system request is not appropriate for any event. The PCA staff also reserves the right to determine the maximum safe listening level in the theatre. The technical staff at the Prairie Center will be happy to discuss your system requirements with you if you are not certain which system your event requires.
For more information please view our Guest Info Folder
Programming time will need to be scheduled appropriately and will be billed at prevailing rates.
Please view our "Lighting Package Demo Video" below to see our upgrades/add-ons in action!
BASIC PACKAGE:
Warm and cool face washes, downstage conventional box boom sides and fixed position FOH specials for simple “lights up” meetings, movie screenings, etc.
DANCE and DRAMA PACKAGE (UPGRADE):
As the name implies, for dance and drama, corporate events or anything where you’re looking for something a bit more contemporary, this “essential upgrade” adds down pools, front, overhead and high-side LED color, side booms with conventional shins, heads and pattern wash plus a powerful mid-height LED wash and plenty of options for the cyclorama.
FX PACKAGE (ADD-ON):
A popular add-on featuring an array of 16 intelligent spots. Full-stage pattern coverage, “flash and splash” motion, strobing, aerial effects, 6-color wheel plus excellent CTO filtering to provide usable spot specials almost anywhere on the stage.
HYBRID PACKAGE (ADD-ON):
The ultimate add-on for any event - an array of 14 powerful (>14K lumen) intelligent hybrid instruments. 8 spots over the stage, 6 profiles over front-of-house. Seamless CMY color mixing, dual pattern wheels, high-CRI and adjustable CTO, zoom from ~4 to ~40 degrees, iris down to a “coke can” - fast motion, motorized shutters (on FOH profiles).
THE TOTAL PACKAGE:
Simple - It’s everything listed above. You can have it all - for a fraction of the cost of renting and hanging.
Detailed information can be found in the lighting plot located in our GUEST INFO folder
The Prairie Center has a variety of miscellaneous stage equipment. Additional labor charge for set-up and operation may apply.
- Piano: Yamaha C7 Conservatory 7' 6" Semi-Grand, with a unique "polished satin"' black finish
- Platforms - 4'x8': 8" (3); 16" (6); 24" (6)
- Choral Risers: Wenger Tourmaster 6' x 3-step (4)
- Orchestra Shells: Wenger 5' rollaway sections (6)
- Orchestra Chairs: Black, padded (60)
- Music Stands: Black, Manhassett (60)
- Music Stand Lights: 40-watt (50)
- Tables: 6' banquet table (4); 8' banquet table (4); 8' prop table (4)
-
Projection Screen: Da-Lite Professional Electrol - Visible to and hung just upstage of the teaser, roughly 14' H x 20' W; motorized, controlled from stage manager's panel, DSL. Typically bordered by main curtain.
- Projectors- SCREEN projector: (fixed position, 2FOH): NEC 6k lumen digital laser projector to our motorized screen.
- CYC projector: (fixed position, 2LX): Christie Digital 15k lumen digital laser projector to our natural muslin cyclorama. Viewable area is roughly 18.5'H (full-height from toe kick to teaser) by 34' (just under the full visible width of the cyc - typically, the sides are masked slightly for projection and video backdrop usage).
- Hazers: (2) Antari Z350 Fazer water-based haze machines (typically MSL and MSR)
- Foggers: Blizzard Big Bad Lo-Fo ultrasonic low-lying foggers (pair)
- Dance Floor: Harlequin Reversible Pro™ (Black/Gray) reinforced vinyl marley surface. Typical installation is black side up, 4 panels for over 26' of depth - downstage edge of proscenium arch to approximately 4' short of the cyc. The downstage panel is cut to the width of the proscenium (34.5'). The remaining panels are pocket-to-pocket (roughly 40' wide, ending slightly offstage of the onstage edge of the legs).
Additional rental charges may apply. Please see our Rental Rates page for details.
Tier 1 Xylophone, Tubular Chimes Tier 2 Gong, Concert Bells Tier 3 32 in Timpani 29 in Timpani 26 in Timpani 23 in Timpani Bass Drum Wood Blocks Hi Hat Marching Grid Wind Chimes Rain Stick Marching Bell Lyra Concert Cymbals Piccolo Snare Ludwig Toms Bongos Tubano Timbale Set Snare
|
Percussion Cabinet Assorted Mallet Suspended Cymbal Drum sticks Crash Ride Cymbal Stand Jingle Stick Drum Stand Claves Wood Clapper Cuban Claves Wood Blocks Wrist Bells Triangle Ankle Bells Vibra Slap Bell Tree Tambourine Castanets Sandblocks Cabasa Shaker Finger Cymbals Cowbell Sleigh Bells Maracas Citrus Shakers Frog Rasp Guiro Rasp Castanet Shaker Multi Guiro Metal Wooden Shaker
|
For pricing please visit our Rental Rates page.